爸爸，圣诞老人死了正片

剧情简介：

Father, Santa Klaus Has Died/Papa, umer ded moroz这部奇怪而实验性的俄罗斯黑白电影大致改编自阿列克谢·托尔斯泰的短篇小说《吸血鬼的家庭》，导演说:“这是一部弗罗斯特神父(俄罗斯版的圣诞老人)去世的编年史。”或者更确切地说，是一项声明。坏死性创造力激发一种特殊的情感、思想和精神状态……它是什么?结论并不明显，但在这里——人们想仔细想想——死亡现实主义是人文主义。在故事中，我们比较了两兄弟截然不同的生活。其中一个是生物学家，他是一个通情达理的、科学的、理性的人，对自然过程的运作非常着迷。也许他想得太周到了。另一个则完全屈服于自己的本能，与妻儿一起生活在乡村，直接生活在自己的感情中。暴力、恐怖和反常的性行为(S&M和奴役)的时刻穿插着巨大的空间和美丽的图像，唤起黑暗的情绪。一些评论家把它的视觉风格比作已故安德烈·塔科夫斯基(Andrei Tarkovsky)的风格，同时它探索了一个独特的思想领域。With regard to this odd and experimental black-and-white Russian film, loosely based on the Alexei Tolstoy short story The Vampire's Family, the director says: "This is a chronicle of the death of Father Frost" (the Russian equivalent of Santa Claus) "or rather an announcement of it. Necrocreativity inspires a special state of feelings, mind and spirit... What is it? The conclusion is not obvious, but here it is -- one wants to think it over -- necrorealism is humanism." In the story, the sharply contrasting lives of two brothers are compared. One of them, a biologist, is a reasonable, scientific and rational man, fascinated by the workings of natural processes. Perhaps he is even a bit too thoughtful. The other is completely given over to his instincts and lives in the country with his wife and child, living directly from his feelings. Moments of violence, horror, and aberrant sexuality (S&M and bondage) are interspersed with images of great spaciousness and beauty and the evocation of dark moods. Some critics compared its visual style to that of the late Andrei Tarkovsky, while it explores a thought territory that is uniquely its own.~ Clarke Fountain, All Movie Guide